09 December, 2025

"None Other than the Glory of God & the Refreshment of the Soul"

 Johann Sebastian Bach famously said "The aim and final end of all music should be none other than the glory of God and the refreshment of the soul". And can there be a more fitting illustration of Bach's words and faith than this glorious cantata from his sublime and deeply reverential Christmas Oratorio.

Christmas time in Leipzig in 1734 was bursting with music. Not only was Bach’s great Christmas Oratorio performed for the first time as a completed cycle, but everywhere in the town you would hear Christmas songs and the ringing of bells. This booming chorus, celebrating the birth of Jesus in the stable, proclaims: “Ruler of heaven, hear our inarticulate speech, let our faint songs please you.” But it's anything but faint or inarticulate, as Bach pulls out all the stops with drum rolls and trumpet blasts; these, and the words, emphasise Bach's profound belief that human music - like mankind himself - can only be a pale shadow of God’s glory. This is cantata 3 from the Oratorio and the words are those of the simple shepherds arriving in Bethlehem and telling of the events and visions they had experienced on the hillsides around the town.
The Oratorio, first performed in Leipzig as a whole at Christmas 1734, comprises of six cantatas - this one being the third. Bach had written each of these cantatas separately at varying times between 1723 and 1728 - this third one being first performed in Leipzig's Thomaskirche exactly three hundred years ago this Christmas - Christmas 1725.
This exquisite performance is by the wonderful Netherlands Bach Society and is played on period instruments - just as the citizens of Leipzig would have heard it three centuries ago. It brings back many memories of one of our several trips to that lovely city some years ago to enjoy the Christmas Market and see this work performed in Bach's place of work and worship, the Thomaskirche - a place that, I freely admit, brings me to tears each time I step inside, such is the glory and the profound reverence of the place and, of course, its wonderful musical historical links with Johann Sebastian Bach.













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